Sony Alpha a1 Mark II Full Frame Mirrorless Camera

The massive volume of data from the 50.1 megapixels full-frame Exmor RS image sensor is processed in real-time by Sony's BIONZ XR image processing engine. An advanced AI processing unit applies high-level subject recognition to recognize a wide range of subjects reliably. These state-of-the-art technologies make capturing even the most challenging subjects in extraordinary resolution easy, with blackout-free viewing and full AF/AE tracking at up to 30 fps.

The α1 II features a dedicated AI processing unit that helps to recognize people more accurately based on human pose estimation and supports recognition of a wide range of subjects other than people, such as animals, vehicles, and insects, with high accuracy. This results in a dramatic improvement in Real-time Recognition AF and Real-time Tracking capability, and higher overall AF performance.

Real-time Recognition AF has improved human eye recognition by approximately 30%, and its human pose estimation technology also delivers precise recognition of subjects facing away from the camera, wearing sunglasses, or with their faces obscured. Recognition of distant human subjects occupying only a small part of the frame has been notably improved, so approaching subjects are recognized and tracked sooner. Subjects can also be tracked better across occlusions among many people.

A wider variety of subjects is now recognized for stills and movies, with a new [Auto] mode letting the camera select. Recognition of animals overall is improved by approximately 30%, with the eyes of some small animals added and the eyes, heads, and faces of animals like dogs and cats recognized. Recognition of birds is improved by 50%.

Fast Hybrid AF combines phase detection and contrast detection for superb speed, precision, and tracking performance. 759 phase-detection points cover 92% of the image sensor. The AF tracking response for stills can now be selected from [Stable], [Standard], and [Responsive] to suit the likely subject motion, which is useful, for example, in bird photography. High AF precision is achieved right down to light levels as low as EV-4.0 in AF-S mode, with improved contrast AF response.

XL and XS focus area spot sizes are now available in addition to the existing L, M, and S. XS can help avoid focusing on foreground objects such as branches. It is also possible to create a custom focus area of a specified size and aspect ratio, useful in situations like a track event where athletes are lined up side-by-side and you want to focus on the leading runner.

Selectable release time lag modes are available via the [Release Lag] / [Start Display] menu. With blackout occurring on only the first image in a continuous burst, [Fastest Release/On] provides the shortest possible release time lag, while [Stable Release/On] minimizes variations in release time lag, making it easier to release the shutter at the intended moment. The default [Auto/Off] setting does not give blackout when shooting is started.

High-speed continuous shooting at up to 30 fps with full AF/AE tracking is possible at a stunning 50.1 MP resolution, with up to 120 AF/AE calculations per second on the data from the image sensor. Blackout-free shooting with no loss of viewfinder image allows seamless framing and capture of the subject as if viewed with the naked eye.

Pre-capture retroactively captures moments that occurred before the shutter was released without compromising resolution, even when shooting continuously at up to 30 fps with selectable recording time options. Continuous Shooting Speed Boost can temporarily change the burst speed. Both features reduce the chance of missing that vital instant.

Sony's extensive high-performance G Master line works with the 50.1-megapixel Exmor RS image sensor and BIONZ XR image processing engine to create deep, lifelike, high-resolution rendering. The sensor's high pixel count means that the resolution is still an impressive 21 megapixels (approx.) when shooting in APS-C mode or cropping to APS-C size after shooting.

Compressed, Uncompressed, and high-compression Lossless compressed RAW still images are provided. Compressed RAW images can be shot continuously at up to 30 fps. Three Lossless compressed RAW image sizes can be selected to suit the application: L, M, and S. Lossless compressed RAW, JPEG, and HEIF images in M and S size have the same number of pixels whether shot in the full-frame or APS-C mode, making it possible to switch modes while maintaining the same image resolution seamlessly. JPEG and RAW sizes can be freely mixed and matched to meet the application's needs.

Feedback from professionals has been taken into account to create highly effective noise reduction without sacrificing image detail. Thus, users can shoot clear images of indoor sports at mid to high sensitivity without hesitation. Dynamic range at lower sensitivities is an impressively wide 15 stops for smooth, realistic gradations.

Exposure and color reproduction are notably improved compared to the α1. The AE algorithm detects faces and optimizes exposure for stills and movies. Exposure stability has been improved by approximately 20%, even when the face is backlit and dark, or over-illuminated in direct sunlight, or not facing the camera. Working with a "Visible Light and IR Sensor" on the front of the body, the advanced AI processing unit helps to achieve accurate white balance even where the subject is in shade.

A high-precision image stabilization unit, advanced gyro sensors, and leading-edge algorithms detect and correct camera shake, achieving a groundbreaking up to 8.5-step effect at the center and 7.0-step at the periphery, and transforming handheld shooting with precision down to the single-pixel level and the finest subject details. With compatible lenses that include built-in stabilization, improved body-lens synchronization provides effective blur control even at otherwise problematic telephoto focal lengths.

The NR Shooting Settings mode captures between 4 and 32 RAW images, which can then be composited using Sony's Imaging Edge Desktop application to create a full-resolution image with very low noise, even at mid to high sensitivities. Pixel Shift Multi Shooting captures 4 or 16 pixel-shifted images that are later composited with the same PC application to achieve overwhelming resolution in a single image.

Real-time Recognition AF utilizes advanced AI-based human pose estimation technology that recognizes and tracks not just eyes but body and head positions for human subjects with high precision. The range of subjects recognized with AI assistance, for both movies and stills, has been expanded relative to the α1 and now includes birds in movies, for example. Other subjects are acquired and tracked in real-time by processing color, pattern, and spatial data.

4K (3840 x 2160) movies can be cropped and edited from 8K source footage with overwhelming resolution from 8.6K oversampling. 8K 4:2:2 10-bit XAVC HS recording with optional Full HD proxy is available, as are 4K recording in XAVC HS, S, or S-I formats in full-frame, or Super 35mm size oversampled from 5.8K with full pixel readout and no pixel binning. XAVC S-I allows recording at up to 600 Mbps for outstanding image quality.

4K can be recorded at up to 120p right in the camera. 4K footage can be played back in up to 5x slow motion. The Slow & Quick Motion (S&Q) mode makes it convenient to play recorded footage back at slow or high speed in the camera. Full HD footage recorded at 240 fps offers an even greater range: up to 10x slow motion (24p) to create impressive sports movies, for example. The frame rate setup menu allows an intuitive selection of frame rates.

The S-Log3 gamma curve emphasizes gradation characteristics from shadows to mid-grey (18% grey). The minimum ISO when shooting S-Log is 800, while the expanded ISO range is 200 - 640. Compared to the α1, detail reproduction has been improved, and footage can be more easily matched with the output from digital cinema cameras that also offer S-Log3, such as Sony's VENICE and BURANO. The ability to import User LUTs into the camera makes it easy to get an idea of the final post-edit look right in the camera.

In addition to standard mode, Active Mode combines a precision image stabilization unit and gyro sensor, while Dynamic active Mode adds electronic stabilization for an additional approximately 30%, enabling stable recording even when the user is jogging.

Using AI-based subject recognition technology, Auto Framing automatically crops the frame to keep the subject in a prominent position when shooting movies. The framing is continually adjusted so that the recorded footage looks like the subject was being followed by an experienced camera operator. The timing at which Auto Framing begins, the size of the subject in the frame, and the tracking speed can be controlled. Auto Framing can be ideal for recording interviews, music performances, cooking, and much more.

Framing Stabilizer automatically maintains the subject location within the frame when the camera operator moves alongside the subject or in other situations where consistent framing can be difficult. AI-based subject recognition and Dynamic Active Mode image stabilization maintain the composition and achieve stable imagery even when shooting handheld. [Center] mode automatically keeps the subject in the center of the frame, while [Manual] mode lets the subject position be freely specified.

Focus breathing compensation effectively reduces focus breathing when shooting movies. Sony's original Clear Image Zoom technology automatically maintains a consistent angle of view throughout focus changes for more stable images.

A range of focusing tools support intuitive and professional moviemaking. AF Assist for temporary switching to manual focus, focus peaking display, and AF transition speed and sensitivity settings all help the user when shooting movies. Focus Map overlays a visual depth-of-field map on the live view display. Real-time Recognition AF, Real-time Tracking, and Focus Area are now available during digital zoom and Clear Image Zoom operation.

The 4-axis multi-angle monitor can be positioned for optimal viewing in horizontal or vertical orientation. The extended monitor can be tilted upward by approximately 98°, downward by approximately 40° to the camera back, and sideways by a full 180°. The hinge is unobtrusive but robust. The large 3.2 type 2.1 million dot display panel is touch-sensitive, has a wide color gamut, and is designed for clear outdoor viewing.

The improved grip ergonomics ensure comfortable and stable shooting over long sessions with a shape that allows firm holding in the palm of the hand. A C5 custom button has also been added, and the grip design is replicated for prolonged vertical shooting with the optional VG-C5 Vertical Grip, which additionally offers extended battery life over the previous model.

A 9.44 million-dot (approx.) electronic viewfinder with a high-definition OLED display and refined optics delivers clear viewing. Magnification is 0.90x with a 41° FOV for a clear, wide view, the updated structure giving a 25 mm high eyepoint. Time lag has been reduced for more stable framing. The finder frame rate for shooting stills can be set to [Standard] (60 fps), [High] (120 fps), or [Higher] (240 fps). Overall image quality has been significantly improved and aberration minimized.

The α1 II is supplied with two viewfinder eyecups: the standard FDA-EP19 type and a deep FDA-EP21 type that the user can choose according to ambient conditions or personal preference. The new FPA-EP21 design is deeper than the standard FDA-EP19 type, enhancing viewing clarity by effectively blocking extraneous light that can enter between the eye and eyecup in bright shooting environments. The soft, close-fitting material and design enhance viewing comfort.

The supplied BC-ZD1 quick charger can simultaneously charge two NP-FZ100 batteries in approximately 155 minutes. An AC adaptor provides USB PD (Power Delivery) power. This charger is ideal for charging two batteries for use at events or in other applications requiring continuous operation over extended periods.

The α1 II has two media slots that both support CFexpress Type A memory cards as well as UHS-I and UHS-II SD cards. CFexpress Type A cards are ideal for recording the huge volume of data produced by the image sensor, allowing 30 fps continuous still shooting and high bitrate 8K and 4K movie recording. The same data can be simultaneously recorded on both cards, or files can be separated by type and size. A "relay" mode automatically switches recording to the second card when the first becomes full.

Multiple media playback lets you seamlessly display all images on two memory cards by selecting all slots as the display target during playback. Group display of images, such as those shot continuously or with interval shooting, is also supported. If set in advance, a rating can automatically be applied to the first image in continuous burst or Pre-Capture groups or a divider image inserted before the first image in groups, enabling quick scrolling through and location of groups using the custom dial during playback.

A dedicated voice memo microphone is built into the rear panel, making it easy to record clear voice memos even in noisy environments. These can be transferred to an FTP server along with the corresponding images, allowing the photographer to communicate effectively with the editor. The Transfer & Tagging mobile application can also be used to convert the voice memos to text before transfer. Either approach can significantly speed up the delivery workflow.

IPTC (International Press Telecommunications Council) metadata can be added to still images. IPTC information can be written to IPTC metadata presets and loaded into the camera via a memory card. The α1 II can internally store up to 20 presets that can then be quickly selected when needed. This can be extremely useful at multi-sports events, for example, where different IPTC information is required for different competitions. The appropriate preset can be easily selected in-camera.

Still, image and movie files can be directly transferred from the camera to a specified remote FTP server via wired and wireless LAN. 2.5GBASE-T wired LAN connectivity allowing data transfer at up to 2.5 Gbps is now provided for stable, high-speed transfer of still and movie data from the camera to an FTP server and stable communication for PC Remote shooting. Built-in Wi-Fi (IEEE 802.11a/b/g/n/ac) with 2x2 MIMO support allows high-speed 5 GHz wireless communication with maximum speed and stability for news and sports shooters who need to deliver immediately via FTP, as well as for studio environments.

The α1 II is compatible with Transfer & Tagging and Remote Camera Tools. Transfer & Tagging is a smartphone application that speeds up still-image workflows for professional sports and news photographers. It allows background FTP transfers to the smartphone and fast tag/caption attachments. Remote Camera Tool is a software application that allows PC Remote (tethered) shooting via wired LAN.

Creators' Cloud is a platform that supports creative work from shooting to production by combining Sony's advanced camera technology with the Cloud. It's also a place for discovery and collaboration with other creators around the world. Explore web, mobile, and PC-based apps that provide efficient solutions that integrate cameras with shooting and production apps and services.

Accessibility features such as Screen Reader that reads menu screen text aloud, Enlarged Menu Display, and others make it easier for everyone to enjoy shooting and playback using the α1 II. Furthermore, advanced features like AI-based Real-time Recognition AF for a wide range of subjects, intuitive touch operation for subject tracking, and many more make the joys of photography and moviemaking available to the broadest possible range of users.

Specifications

Clear Image Zoom

• Still images: Approx. 2x
• Movies: Approx. 1.5x (4K), Approx. 2x (HD)

Exposure control

• EXPOSURE MODES: AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
• METERING SENSITIVITY: EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
• Anti-Flicker Shoot.: Yes
• Exposure Compensation: +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
• ISO Sensitivity (Recommended Exposure Index): Still images: ISO 100 - 32000 (expandable to ISO 50 - 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) Movies: ISO 100 - 32000 equivalent, AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
• Metering Type: 1200-zone evaluative metering

Flash

• Flash compensation: +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
• Control: Pre-flash TTL
• External Flash Compatibility: Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe

Focus system

• FOCUS POINT: Still images: Max. 759 points (phase-detection AF) Movies: Max. 759 points (phase-detection AF)
• AF illuminator: Yes (with built-in LED type)
• Other Features: AF Level for Crossing (Still) AF Track for Speed Change (Still) AF Subj. Shift Sensitivity (Movie) AF Transition Speed (Movie) Switch V/H AF Area AF Area Regist. Circ. of Focus Point Focus Map (Movie) AF Assist (Movie)
• Focus Sensitivity Range: EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached in AF-S)
• Recognition Target (Still images): Auto Human Animal Bird Insect Car Train Airplane
• Recognition Target (Movies): Auto Human Animal Bird Insect Car Train Airplane
• Focus Type: Fast Hybrid AF (phase-detection AF / contrast-detection AF)

LCD Screen

• Adjustable Angle: Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °
• Number of Dots: 2,095,104 dots
• Touch Panel: Yes
• type: 8.0 cm (3.2-type) type TFT

Movie function

• Proxy Recording: Yes
• TC/UB: Yes
• RAW Output: Yes (HDMI)
• Slow & Quick Motion (S&Q): Yes

Movie Recording Format (XAVC HS 4K)

• 3840 x 2160 (4:2:0, 10bit) (Approx.): 119.88p (200 Mbps) 100p (200 Mbps) 59.94p (150 Mbps / 75 Mbps / 45 Mbps) 50p (150 Mbps / 75 Mbps / 45 Mbps) 23.98p (100 Mbps / 50 Mbps / 30 Mbps)
• 3840 x 2160 (4:2:2, 10bit) (Approx.): 119.88p (280 Mbps) 100p (280 Mbps) 59.94p (200 Mbps / 100 Mbps) 50p (200 Mbps / 100 Mbps) 23.98p (100 Mbps / 50 Mbps)

Movie recording format (XAVC HS 8K)

• 7680 x 4320 (4:2:0, 10bit) (Approx.): 29.97p (400 Mbps / 200 Mbps) 25p (400 Mbps / 200 Mbps) 23.98p (400 Mbps / 200 Mbps)
• 7680 x 4320 (4:2:2, 10bit) (Approx.): 29.97p (520 Mbps / 260 Mbps) 25p (520 Mbps / 260 Mbps) 23.98p (520 Mbps / 260 Mbps)

Movie Recording Format (XAVC S 4K)

• 3840 x 2160 (4:2:0, 8bit) (Approx.): 119.88p (200 Mbps) 100p (200 Mbps) 59.94p (150 Mbps) 50p (150 Mbps) 29.97p (100 Mbps / 60 Mbps) 25p (100 Mbps / 60 Mbps) 23.98p (100 Mbps / 60 Mbps)
• 3840 x 2160 (4:2:2, 10bit) (Approx.): 119.88p (280 Mbps) 100p (280 Mbps) 59.94p (200 Mbps) 50p (200 Mbps) 29.97p (140 Mbps) 25p (140 Mbps) 23.98p (100 Mbps)

Movie Recording Format (XAVC S HD)

• 1920 x 1080 (4:2:0, 8bit) (Approx.): 119.88p (100 Mbps / 60 Mbps) 100p (100 Mbps / 60 Mbps) 59.94p (50 Mbps / 25 Mbps) 50p (50 Mbps / 25 Mbps) 29.97p (50 Mbps / 16 Mbps) 25p (50 Mbps / 16 Mbps) 23.98p (50 Mbps)
• 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (50 Mbps) 50p (50 Mbps) 29.97p (50 Mbps) 25p (50 Mbps) 23.98p (50 Mbps)

Movie Recording Format (XAVC S-I 4K)

• 3840 x 2160 (4:2:2, 10bit) (Approx.): 59.94p (600 Mbps) 50p (500 Mbps) 29.97p (300 Mbps) 25p (250 Mbps) 23.98p (240 Mbps)

Movie Recording Format (XAVC S-I HD)

• 1920 x 1080 (4:2:2, 10bit) (Approx.): 59.94p (222 Mbps) 50p (185 Mbps) 29.97p (111 Mbps) 25p (93 Mbps) 23.98p (89 Mbps)

Network Streaming

• Video Resolution: 3840 x 2160 (30p) 3840 x 2160 (25p) 2560 x 1440 (30p) 2560 x 1440 (25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p / 60p) 1280 x 720 (25p / 50p)
• VIDEO DATA FORMAT: MPEG-4 AVC/H.264 MPEG-H HEVC/H.265
• AUDIO DATA FORMAT: AAC-LC 2ch (16bit 48 kHz)
• PROTOCOL: RTMP RTMPS SRT

Recording System

• Memory Card Slot: SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress Type A card

Recording system (movie)

• Video Compression: XAVC S: MPEG-4 AVC/H.264 XAVC HS: MPEG-H HEVC/H.265
• Audio Recording Format: LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit) * When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe.

Recording system (still image)

• Recording Format: JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
• Image Size (pixels) [3:2]: 35mm full frame L: 8640 x 5760 (50 M), M: 5616 x 3744 (21 M), S: 4320 x 2880 (12 M)
• Image Quality Modes: RAW JPEG HEIF (4:2:0 / 4:2:2) RAW & JPEG RAW & HEIF
• RAW Output: 14bit RAW: Yes

Shutter

• Electronic Front Curtain Shutter: Yes
• SHUTTER SPEED: Still images (Electronic shutter): 1/32000 to 30 s Still images (Mechanical shutter): 1/8000 to 30 s, Bulb Movies: 1/8000 to 1 s
• Shutter Type: Auto / Mechanical shutter / Electronic shutter
• Flash Sync. Speed: 1/400 s (35mm full frame), 1/500 s (APS-C)

USB Streaming

• VIDEO DATA FORMAT: MJPEG YUV420
• Video Resolution: 3840 x 2160 (15p / 30p) 3840 x 2160 (12.5p / 25p) 1920 x 1080 (30p / 60p) 1920 x 1080 (25p / 50p) 1280 x 720 (30p) 1280 x 720 (25p)
• AUDIO DATA FORMAT: LPCM 2ch (16bit 48 kHz)

Viewfinder

• Diopter adjustment: -4.0 to +3.0 m-1
• Eye Point: Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at -1 m-1 (CIPA standard)
• Magnification: Approx. 0.90x (with 50 mm lens at infinity, -1 m-1)
• type: 1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)
• Finder Frame Rate Selection: NTSC mode: STD 60fps / HI 120fps / HIGHER 240fps, PAL mode: STD 50fps / HI 100fps / HIGHER 200fps *When [Finder Frame Rate] is set to [HI+], [Standard] is not available in [Viewfinder Magnification].
• Number of Dots: 9,437,184 dots

Weight

• Body only: Approx. 658 g
• Body only (oz.): Approx. 1 lb 7.3 oz
• With battery and memory card: Approx. 743 g
• With battery and memory card (oz.): Approx. 1 lb 10.3 oz

Dimensions

• Dimensions (W x H x D): Approx. 136.1 x 96.9 x 82.9 mm, Approx. 136.1 x 96.9 x 72.8 mm (FROM GRIP TO MONITOR)
• Dimensions (W x H x D) (in.): Approx. 5 3/8 x 3 7/8 x 3 3/8 inches, Approx. 5 3/8 x 3 7/8 x 2 7/8 inches (FROM GRIP TO MONITOR)

Drive

• Continuous Drive Speed (approx. max.): AUTO/Electronic shutter: Hi+: 30 fps Mechanical shutter: Hi+: 10 fps
• No. of recordable frames (approx.): JPEG Extra fine L: 190 frames JPEG Fine L: 400 frames JPEG Extra fine L: 400 frames RAW: 240 frames RAW & JPEG: 200 frames RAW (Uncompressed): 84 frames RAW (Uncompressed) & JPEG: 80 frames RAW (Lossless Compressed): 100 frames RAW (Lossless Compressed) & JPEG: 86 frames
• Pixel Shift Multi Shooting: Yes (4 shots / 16 shots) *Images shot in Pixel Shift Multi Shooting mode can be processed using a dedicated imaging software by Sony.

Image Stabilization

• COMPENSATION EFFECT (STILL IMAGES): Center 8.5 stops and Periphery 7.0 stops (based on CIPA2024 standard. Pitch/Yaw/Roll compensation. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)
• Mode: Still images: On / Off Movie: Dynamic active / Active / Standard / Off
• type: Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)

Lens Compensation

• Setting: Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Operating temperature

• Operating Temperature: 0 - 40 ℃ / 32 - 104 °F

Audio

• Microphone: Built-in, stereo Built-in, voice memo
• Speaker: Built-in, monaural

Camera Section

• Number of Pixels (Effective): Still images: Approx. 50.1 megapixels max. Movies: Approx. 42.0 megapixels max.
• Number of Pixels (total): Approx. 50.5 megapixels
• type: 35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor
• Color Temperature Range: 2500 K - 9900 K
• Anti-Dust function: Yes

Interface

• Bluetooth: Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
• Multi Interface Shoe: Yes (with Digital Audio Interface)
• HDMI OUTPUT: HDMI connector (Type-A) 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit 7680 x 4320 (29.97p / 25p / 23.98p), YCbCr 4:2:0 8bit / RGB 8Bit 4332x2446 (59.94p / 50p / 29.97p / 25p / 23.98p) , Raw 16bit
• NFC: -
• Headphone Terminal: Yes (3.5 mm Stereo minijack)
• Mic Terminal: Yes (3.5 mm Stereo minijack)
• Multi/Micro USB terminal: Yes
• PC Interface: Mass-storage / MTP
• Sync terminal: Yes
• Wireless LAN (Built-In): Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band)) *(Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK/WPA3-SAE) **Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only.
• Remote Control (Wireless): Yes (Bluetooth remote control)
• LAN Terminal: Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)
• Functions: FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi) Send to smartphone Remote control via smartphone Remote Shooting
• USB Type-C Terminal: Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)

Playback

• Modes: Enlarged display mode Protect Rating Shot Mark (Movie) Divider Frame Crop Photo Capture

Power Consumption

• Power consumption with LCD screen: Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
• Power consumption with Viewfinder: Still images: Approx. 4.7 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 7.0 W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Power

• USB Power Supply: Yes (Available with USB Type-C Terminal. USB Power Delivery support)
• Supplied Battery: One rechargeable battery pack NP-FZ100
• Battery Life (Movie, actual recording): Approx. 85 min (Viewfinder) / Approx. 90 min (LCD monitor) (CIPA standard)
• Battery Life (Movie, continuous recording): Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard)
• Battery Life (Still Images): Approx. 420 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
• Internal Battery Charge: Yes (Available with USB Type-C Terminal. USB Power Delivery support)



Accessibility

• Functions: Screen Reader Focus Magnifier Focus Map (Movie) Peaking Display Subject Recognition in AF Touch Focus Touch Tracking Touch Shutter Touch AE Multi-angle LCD screen Custom function Enlarge Menu Screen



What's In The Box

• SUPPLIED ACCESSORIES: Rechargeable Battery NP-FZ100 Battery Charger BC-ZD1 Cable Protector Shoulder strap Body cap Accessory shoe cap Eyepiece cup (FDA-EP19) Eyepiece cup (FDA-EP21)